This hit from the NG La Banda album En La Calle, show many sides of Feliciano Arango's bassline artistry. The body of the song shows all the signs of Arango's timbaesqe tumbao - the off-beat emphasis, the streams of eighth notes, and the chromatic passing tones. Then the improvisatory sections have one of those great Arango funk hooks that made NG one of the grooviest dance bands of the nineties. To top it off, there is some great slap playing - all in clave of course - to take the moña off to another plane. Not to mention all the coloristic techniques - chords, muted notes, grace notes, and subtle variations - that give the line such character. There are so many great lessons in this one, about timba, technique, and creating a unique voice within the music.