Integrating musical ideas that break from standards established by history requires a musician to think outside the box. The use of new harmonic or melodic approaches forces artists to ask their musicians to approach performance from a unique angle. The assimilation of uncommon instruments demands a specific setting that both brings out the specific flavor of that instrument while maintaining a link to tradition. Practicing original compositional techniques means rewriting a stylistic framework and training a group of musicians to follow those new guidelines. In many ways, the musician that wants to walk their own artistic path must build that road for themselves, applying their creativity and risk-taking abilities.

As I mentioned in my overview of 5 Latin Jazz guitarists, the guitar doesn’t have a strong lineage throughout Latin Jazz history, forcing today’s guitarist to think outside the box. In some cases, this means the development of a new context that supports the guitar and allows it to function within the style. Many guitarists need to rethink the instrument’s musical function, moving from the comping of jazz into a more rhythmic application of chords and melodies. While pushing these new aesthetics, the guitarist needs to maintain a connection to Latin Jazz history, keeping an authentic edge to the musical product. These guitarists absolutely need to apply their own creative voice among the musical ideas, ensuring that their product breathes with identity and style. For the guitarist leading a group into Latin Jazz setting, the days of pulling out the fake book and jumping into a standard has disappeared; instead, they face the construction of a whole new approach.

I’ve gathered several videos of guitarists thinking outside the box and leading groups through a Latin Jazz setting. This collection of musicians reflects our list established in the 5 Latin Jazz Guitarists post. You’ll see Richie Zellon, Eric Kurimski, Romero Lubambo, Aquiles Baez, and Dave Askren applying their guitar skills to a variety of Latin Jazz styles. Notice that each musician brings a unique aesthetic to their music - from the context of their group to the role of the guitar, each artist has carefully considered their instrument’s place in the music. There’s a lot of good music here that builds a foundation for a strong guitar presence in the future of Latin Jazz. Enjoy!

Landologia - Richie Zellon Trio

Marinera de Lima - Eric Kurimski with Renzo Gil

Dona Maria - Trio da Paz with Joe Locke

Tambor Culo e’ Puya - Aquiles Baez

Recordame - Dave Askren

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Check Out These Related Posts:
Looking At The Bigger Picture: Irakere Alumni on Video
Album of the Week: La Patilla, Aquiles Baez
Exploring The Low End: 5 Latin Jazz Bassists on Video
Spotlight: Trio Nuevo +, Dave Askren

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